SXSW 2012 Recap
With everyone from the Ardent camp back home and the dust settling, let’s take a look back at all things Big Star at SXSW.
From the press:
“…with the presentation of a Big Star documentary and a symphonic concert celebrating the band’s music. Playing opposite much-anticipated festival sets by Bruce Springsteen, and various other big names, the Big Star event managed to pack the city’s Paramount Theatre, and generate a rare buzz amid the din and clatter of this massive industry gathering.
“…Such labyrinthine twists provide the ballast for “Big Star: Nothing Can Hurt Me.” The 93-minute documentary, by New York filmmakers Drew DeNicola, Olivia Mori, and Danielle McCarthy, was screened as a “work in-progress” version at the Paramount. Still, the film was a powerfully evocative piece, eliciting a standing ovation at its conclusion.”
“Ambitious in scope, Nothing Can Hurt Me digs into deeper contexts than the average music doc, encompassing Chilton’s pre-Big Star musical pedigree as the face and voice of the Box Tops; the mentoring influence of engineer-producers John Fry and Jim Dickinson; the clubhouse atmosphere at Fry’s Ardent Studios; the band’s connection to photographer William Eggleston and other artists; Ardent’s historic 1973 promotional stunt, the first-and-last Annual National Association of Rock Writers Convention; the decline of Big Star’s would-be distributor, Stax Records; the post-Big Star solo careers; and a busy culture of reissues, reunions, and homages.”
“The movie is brilliant—a boon to Big Star fans, as well as an indispensible primer for anyone who ever has wondered what artists such as the dB’s, R.E.M., Matthew Sweet, the Bangles, the Replacements, Teenage Fanclub, This Mortal Coil, the Posies and literally thousands of others found so inspiring.
“The second half of Big Star Tribute Night was just as fulfilling as the band’s last surviving member, drummer Jody Stephens, and long-time fans Chris Stamey and Mitch Easter led a large ensemble complete with Mellotron, horns, string section and a parade of guest vocalists through a rendition of Big Star Third/Sister Lovers in all of its soul-wrenching sloppiness and haphazard perfection.
“The procession of cameos included some big names—R.E.M.’s Peter Buck, the Replacements’ Tommy Stinson, Wilco’s Pat Sansone, M. Ward and of course Posies and latter-day Big Star members Ken Stringfellow and Jon Auer—but just as valuable were the contributions of many younger and lesser-known musicians who’ve passed through Stamey’s recording studio in Chapel Hill, N.C. All of them clearly loved the album and poured all they had into songs beloved by fans who never thought they’d get to hear them live: the rousing ‘O, Dana’ and the despondent ‘Holocaust,’ the frightening ‘Kangaroo’ and the furious ‘Kizza Me,’ all building up to a ‘We Are the World’ sing-along on the perfect tune to stand as the band’s epitaph, ‘Thank You Friends.’”